Archive for the ‘Alresford Library’ Category

The Voices of Bishop’s Sutton

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How about “Bishop’s Sutton Memories” as an offshoot of AlresfordMemories? OK, so there are several Bishop’s Sutton stories on this website, but in visiting the Alresford Library today I found a really enthralling new book: only just published. It is titled “Voices of Bishop’s Sutton”, and was written by Sarah Bussy, a resident of Bishop’s Sutton over the last 40 years, since 1974.

Sarah suggests that she felt very much like a ‘Townie’ person, when she first moved to Bishop’s Sutton, from her Alresford home – it was a different world to be in village life, after residing in the big Metropolis of Alresford! But having settled in, 30 years later, Sarah was involved in a parish-wide piece of team work, which resulted in a small, publicly-funded publication entitled ‘Bishop’s Sutton: An Appraisal of the Parish, 2006’. A questionnaire was circulated around all households in the village, to see what they liked and disliked about village life. Most people were really happy to live in Bishop’s Sutton, which Sarah describes as “a very friendly place, with a strong community spirit”: only one person expressed a dislike for the incoming “Townies”.

Sarah explains the background to the current book as follows:

“In the 1980s I became involved with making sound recordings of Winchester people, several of which are now in the Wessex Film and Sound Archive. Around the year 2000 I began tentatively to record in Bishop’s Sutton.

Because of other commitments, these Bishop’s Sutton tapes lay neglected, and a source of considerable guilt for years until I was suddenly spurred into further action by a Village Open Weekend held in the autumn of 2014. Several months of concentrated work followed and the book was ready for press shortly before my move to Devon in September 2015. The timing couldn’t have been better and I still feel pleased to have given something back to Bishop’s Sutton in gratitude for the 41 years I lived there with my family.”

Her book records the memories of the current residents, memories of what village life was like throughout their lives. Sarah recorded numerous current residents, dividing them up into sections that cover the 1920s; the Hillarys of Northside Farm; the accents; the houses, including colonial bungalows and council houses, as well as cottages; Domestic life (including sanitation, food and sickness); Childhood and the School; Working on the farms; Death in the village, and WW2. Selected parts of the recordings she made are published in each heading, but the original recordings are held by the Wessex Film and Sound Archive at the HRO. Apparently the recordings made of conversations with Kit Hole, Bill Hillary, Jean Hillary, Nora Hillary, and Vic Sheppard are available for visitors to listen to on request.

The book includes many old photos, provided by David Hole – some of these originated from Peter Mills’ archive. Other interviewees include Bill Smith, Barbara Upton, Joan Clift, and many more: many Alresford parents of young children will remember Bill Smith as the caretaker at Sun Hill School some years ago.

 

The Home Library Service

Nicolette Morgan writes that she is wishing to raise awareness of the Home Library Service, a free service available from all Hampshire libraries including Alresford library.

The Home Library Service is for anyone who finds it difficult to get to their nearest library due to ill health, disability or caring responsibilities. We can usually arrange for one of our local volunteers to visit to exchange library materials on a monthly basis. We appreciate that often the social contact with a volunteer is as important as the library items they choose and deliver. There are no charges to hire audio books, and no overdue charges for late returns. All our volunteers are DBS (CRB) checked and comply with instructions and standards as set out by library staff.

We can deliver a wide range of fiction and non-fiction books in standard and large print formats, specialist books including ones suitable for those living with Dementia, items from our Reminiscence collection, audio books on CD, MP3 CD (a whole book on one disc) and Playaways which are easy to use digital players. We can also offer National Talking newspapers and Magazines which library staff can download onto a memory stick for you to listen to through any device with an MP3 USB connection.

If you know someone who could benefit from this service, please talk to staff at your nearest library, call us on 0300 555 1387, or apply online at http://www.hants.gov.uk/library/servicesforyou/homelibraryservice

If you have any questions please do not hesitate to contact Nicolette Morgan on nicolette.morgan@hants.gov.uk . Nicolette is happy to take direct referrals.

Alresford Bowling Club

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The latest presentation in the display cabinets in Alresford Library in Broad Street shows some photos and artefacts from the Alresford Bowling Club. The sport of bowling has been active in Alresford since around 1650, around 350 years ago, and it is possibly the second oldest recorded bowling club in the country. The current bowling green on Sun Lane is known to have been in use from 1823. Records suggest that in earlier times the bowling green was on the East of Sun Lane, the opposite side of the road – it was probably relocated to the current site when Langstone House was built in the nineteenth Century.

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The current club was re-formed/established in 1937, through the efforts of Sidney Lane: he had moved to Alresford during the First World War, with the firm of solicitors run by George Ridley Shield. After WW1 he returned to London, but moved back to Alresford on his retirement in 1937. The first members of the re-established club included such people as Canon A J Robertson, Lord Templemore, Sir Anthony Tichborne, Sir Francis Lindley, Doctors Leishman and Meryon, and George Ridley Shield. Cameron Black, the Publican at the Sun Inn, agreed to rent the green to the new bowling club for £10 per annum.

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The 1938 members of the bowling club were shown in the photo below, courtesy of www.alresfordheritage.co.uk, which numbered from the right include: 1. Edgar Blake of the World’s Stores, 2. Canon Robertson, 3. Sidney (Lofty) Lane, 4. George Wigmore (Barber), 5. Claude Hunt (Tobacconist), 7. H C Godwin of Langton’s Farm, 10. Bert Davy, and 14. Mr Bascombe (Postmaster).

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Currently the Alresford Bowling Club has over 70 members, plus 10 non-playing ‘Social’ members. For information and membership details, please contact Barry Morgan, Secretary, Phone 733477 or visit the website, www.alresfordbowlingclub.org.uk.

The display of Alresford Bowling Club items can be viewed in the library during opening hours. These include Saturday morning and all day Friday, as well as half days on Monday, Tuesday and Thursday.

Soft toy collection returns to Alresford

IMG_9698xsIn our first story about the soft toys made at Alresford Crafts (1), Verena Harper was mentioned as one of the first employees at the Town Mill, back in 1976. Verena (née Pegg) worked as a checker and finisher on the production line for these popular children’s toy animals. Over the subsequent 40 years, and particularly since retiring to Dorset, Verena has become an avid collector, attending numerous car boot and general jumble sales. Always the previously loved Alresford Crafts soft toys catch her attention, so slowly Verena built up an enormous and varied collection of these animals, helped by friends and relatives who added more of them as birthday gifts!

Now Verena has decided that it is time her little friends were returned to their home town, and so a grand total of over 120 soft toys have come back to be looked after by the Alresford Museum, to be displayed as often as possible – for today’s children, and older ex-children (who are now avid Alresford Crafts toy and doll collectors), to see and appreciate.

Unique soft toys

IMG_9675xsWe think some of these animals are unique, but maybe you can tell us something different? The collection includes some unusual models, not seen in any of the Alresford Crafts catalogues of the time. One from the Southern hemisphere is a striking looking Penguin: these days no doubt some children will be able to identify what sort of Penguin this represents, and if it is accurate! In addition there is a life-like dark brown hen.

IMG_9671More unusual is a glove puppet in a bright pink fur, distinctly looking like an Alresford Pig – maybe it even belonged to one of the children of the original Alresford Pigs, also founded over 40 years ago? The Pig has been introduced to another pink friend, this time an Alresford Crafts pink bunny rabbit, in dungarees, which was returned to us separately from America a few weeks ago. The two are now the best of friends, although one has a distinct American accent.

The Owls!

IMG_9694xsObviously Verena liked the Owls made by Alresford Crafts, because there are more than 15 of them in her collection! We can honestly say that the Alresford Museum now houses more Owls than are likely to ever have lived in the Alresford district! We start with one enormous silver Owl, fashioned in the style of our models of Ollie the owl, who is one of the stars of various “Dr Who” episodes, and also the film “E.T.” Then there is a family of Snowy Owls, a Daddy and two babies: a pair of large Brown Owls with their three babies, one with a black eye-patch like Paddington Bear. Most striking are the family of five young Tawny Owls, looked after by the big Mother Tawny Owl.

Every design of soft toy?

Many other animals are represented in the collection, from a kangaroo, to an ant-eater; a dinosaur as well as white and even blue lambs, plus an otter  – we didn’t ask Verena to check his tail, apparently these toys used to be difficult to sew together without twisting the tail away from horizontal. Many of the smaller toys were made from left-over scraps of cloth, which were turned into simpler stuffed toys, like rats, mice, guinea pigs or Lemmings: Alresford Crafts often donated these to the Alresford Christmas Tree Committee, to be given away on the night that Father Christmas arrived – a famous event in the Alresford calendar – when everyone under a certain age has a present.

The whole collection, delivered from Verena in Dorset crammed into a small car, can be seen – or at least most of them – in the picture below.

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John and Verena Harper

Verena is now writing more about her early life around Alresford and Bishop’s Sutton, and her time at Alresford Crafts, where she had many friends – like Sue Palmer and Christine Terry. Her comments about the labels on the toys are interesting: apparently the original labels, used at first, were black, but then the gold coloured label with red and black writing was adopted. Where these have a V cut out, these items would have been seconds, not felt good enough for sale, and would have been used as donations to charities, for example to the Christmas Tree Committee in Alresford, for use as presents under the tree.

Museum Displays

The Alresford Museum has a rotating display of artefacts in the Library in Broad Street, and more in the Framing Shop in the Old Fire Station. Several Alresford Crafts dolls and toys are permanently on display in the children’s section of the Library, upstairs. Further displays will be on show in the Alresford Library, and at various other Museum events throughout the coming year.

 

(1) See the original story: https://alresfordmemories.wordpress.com/2014/11/15/alresford-crafts-dolls-and-soft-toys-for-collectors-and-children/

Lists of the Museum collections can be found on www.museum.alresford.org.

 

The crash of Lady Luck, 1943

Lady Luck scale model by Tim Barnes

Lady Luck scale model by Tim Barnes

Much has been written about the crash of Lady Luck, a Flying Fortress in WW2, in or near Alresford pond: so it is difficult to write anything new. Already on this website we have had personal reports from people who were there at the time, like George Watson and Jim Smith.

There are also several reports and photographs publicly visible in the Globe Inn, down at the end of Broad Street, on the Soke: this is a fitting lasting tribute to the USAF airmen who were flying from UK bases at that time. Another memorial plaque is located at the end of the Soke, next to the pond, near the gate to the garden of the Globe Inn.

IMG_7638 strtHilary Cornford, from Old Alresford, an enthusiastic Lady Luck supporter, has enabled the Alresford Museum to retain and display an interesting modern memento of the event, which is an aeroplane panel painted up to make a replica of the tail of USAF Flying Fortress 25434. Known as “Lady Luck”, the tail was decorated, as many wartime aircraft were, with a mascot. Their original mascot was painted by Sgt Sam P Rodman, of the US 303rd Bomb Group, when he was based at the Molesworth USAF aerodrome in the UK.

The account below is of unknown origin, but a printed copy is glued to this modern reproduction of this tail panel, now in the custody of the Museum: this repro tail panel was painted by and is on loan from Tim Barnes, produced when he was working at the Lasham aircraft works near Alton. His employers kindly donated an aircraft panel from a modern Boeing 757 airliner, to make the repro tail panel look more authentic.

 

The painted ‘Tail Art’

“This is one of the two known tail art paintings done by Sam Rodman.

This languishing beauty adorned the tail fin of a Fort which carried the simple title of ‘Lady Luck’ on the nose – perhaps one of the most popular and understandable names chosen by the numerous air crews around the world. Standing on the horizontal stabiliser of the Fort and painting onto the huge tail would have made the task of painting much easier for Rodman (and other artists), and it is surprising that the tail was not used more often for embellishment.

This particular B17F arrived at Molesworth, Cambridgeshire, via the South Atlantic route to England, having passed through Marrakesh, North Africa. Assigned to 303 BG on 6th March 1943, it began combat flying with a mission to Wilhelmshaven on the 22nd, under the command of Lt Griffin. It was lucky 13 for First Lt Loyd Griffin, later made Captain, as he completed that number of sorties in Lucky Lady before finishing up in mid-July. Thereafter, 9 different crews took the Fort to targets across France and Germany until misfortune overtook Robert Cogswell’s crew.

On a recalled mission to the Nantes submarine pens in France on 26th September 1943, they experienced a runaway prop on #4 engine, which subsequently caught fire and forced them to abandon the aircraft over Southern England. The pilot, Lt Cogswell, stayed with his ship until all the crew had baled out safely, and then jumped himself – too low by then – and he sustained severe back injuries as a result. Lady Luck crashed near Alresford pond – a sad end for a veteran of some 25 missions.

Robert Cogswell returned to combat flying, but was tragically killed in action, flying a B29 during the Korean conflict in 1951.”

The picture on this text, attached to the painted panel. shows Sam Rodman painting the original artwork on the B17 tail, earlier in 1943. Lady Luck was a Boeing B-17F-50-BO, with the USAF registration 42-5434.

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USAF Molesworth

303-bgMolesworth in Cambridgeshire is now a non-flying facility under the control of the United States Air Force, and is one of the two Royal Air Force (RAF) stations in Cambridgeshire currently used by the United States Air Forces in Europe (USAFE). In WW2, from November 1942, Molesworth was occupied by the Boeing B-17 Flying Fortresses of the 358th Bombardment Squadron, the first of four squadrons that would comprise the 303d Bombardment Group. The 303d remained at Molesworth until shortly after V-E Day in late May 1945.

The 358th flew the first mission for the group on 17 November 1942. The group became one of the legendary units of the Eighth Air Force. Initially missions were conducted against targets such as aerodromes, railways, and submarine pens in France until 1943, when flying missions commenced into Germany itself.

The Library display of 2013

Seventy years after the event, Hilary and Ray Cornford set up a library display, in the Alresford Library on Broad Street, showing the stories and artefacts available surrounding the B17 crash in Alresford. The file of documents they collected has been passed over to the Alresford Museum, so that they are all available for future researchers (Accession number D1031a). Anyone joining the newly established Membership of the NATT will have access to the Museum resources, by arrangement.

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The tail panel is Alresford Museum item A1060.

In the Alresford Library there are other locally produced documents about the event, such as Nelson Trowbridge’s April 2001 essay, called ‘Lady Luck – What Really happened?’, a copy of this paper is also held in the Museum (Accession Number D1031b). Other comments from Nelson about the Lady Luck crash were quoted in an earlier Alresford Memories story – https://alresfordmemories.wordpress.com/2013/01/18/flying-fortress-crash-in-alresford-pond/

What is ‘Made in Alresford’?

WHAT is actually made, and sold world-wide, from Alresford?

The displays in the Alresford Library (Broad Street, Alresford, underneath the scaffolding at the moment!) are being updated from July 1st to show a collection of the many unusual items that are “Made in Alresford”, and exported around the world – in some cases at least.

First in any such display are the dolls and soft toys made by Alresford Crafts: but since there is a permanent display of these dolls and toys in the upstairs cabinet, in the children’s section of the library, there is just one Teddy-bear in the downstairs cabinet to represent this Alresford business.

DSCN1608Next in worldwide exports comes Etchmasters Ltd, of Prospect Road, who operated in the 1970s and 1980s. In the display we have five examples, three of which are railway engine pictures. The fourth is a classic ‘Knight and His Lady’ brass rubbing style of picture (see below), and fifth is a Ploughing scene, with a horse drawn plough. The museum is pleased to have this last picture as the artist is Alan Longford, who worked for Etchmasters around 1980, and then went on to specialise in equestrian and other horse related pictures, becoming a member of the Society of Equestrian Artists.

DSCN1612Almost along the same theme, Alresford has had several saddlers and producers of horse-related equipment in leather, such as reins and so on. An interesting saddle by Alresford Saddlers is on display, which has a sheepskin underside: Alresford Saddlers were located at 16 West Street.

Alresford is famous for some well known clockmakers: at the moment the only example in the Museum is a very worn face of a Grandfather clock inscribed “Jno Howe – Alresford”. He was working in The Dean from 1828-32. This clock face is on show. Equally famous was Evans and Evans, of West Street, where Jaga Designs are now, but until when? – Maybe it was 2000? Or 2010?

DSCN1605Brewing has always been a major industry in Alresford, whether ginger beer or real beer! So there are two beer bottles from Batchelors of the “Pineapple House” at the bottom end of Broad Street, one with a marble stopper in the neck of a glass bottle, and one stone bottle. Batchelors also had a china shop, and a special plate from them is on show that commemorated the first 50 years of Queen Victoria’s reign, presumably therefore dating from 1890. For more about the Batchelors bottling business, see the AlresfordMemories story entitled “The very Best Ginger Beer in Great Britain”, dated 10 March 2013.

What else was made in Alresford?

What else can you think of that was made in Alresford? What have you got that could join this display? We would love to borrow more items to add.

I am also keen to be able to show one of the vibrating spools that were used to measure the density of crude oil flows, made by Agar Instrumentation Ltd in Prospect Road in the 1970s, thru to about 1981. These were essential for every oil well and refinery, and were exported all over the world – the only real competitor was Solartron in Farnborough. Has anyone saved any of these spool pieces? There must have been lots of rejects. The factory was taken over by Redland, the bricks and tiles people, and moved to Kingsworthy, but the products are now obsolete, so the company has now disappeared. Please can we find one of the vibrating spools?

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A.E. Wade: An artist in Alresford

“Albert Edward Wade studied at Birmingham in 1911, and was resident in London in 1917, and Dover in 1919. He was working at the Sheffield School of Art in 1921, and from there joined the staff of the Grimsby School of Art in 1924. He then became Principal of this School in 1927. As well as being an accomplished artist in oils and watercolours, he was also an excellent musician, playing the cello with great skill. He retired from the Grimsby School of Art in 1953, and moved to Alresford.”

Presumably there are many of his artworks in the Grimsby School of Art and in North East Lincolnshire. Some of these can be seen on http://www.bbc.co.uk/arts/yourpaintings/artists/albert-edward-wade.

AE Wade aged 61

AE Wade aged 61

A photo of a self-portrait dated 1950, which states it is an image of him at age 61, and is held in this Grimsby collection, was provided by Louise Bowen, of the NE Lincolnshire Council Museum Collections department, in 2014. A drypoint image purporting to be a self portrait from 1930 was also found in his collection of dry-points, most of the rest of which dated from the 1960s.

Louise provided the description of his early life quoted above, and adds that “Examples of his woodcraft can be seen in Humberston Church (near Grimsby) in the form of the chancel screen and the pulpit. He was an authority on antiques and archaeology.”

Albert was born on 17 October 1889, in Kinver, Staffordshire, and had parents Josiah and Mary Ann (nee Newell). In the 1911 Census records he is listed as a Draughtsman with a Furniture manufacturer, then aged 21, living at 3 Marlborough Road, Smallheath, near Birmingham, with his parents (aged 54 and 60) and brothers Sydney George aged 27, and Walker Charles aged 19. All of the rest of them were employed in the family Bakery. There were two other children of Josiah and Mary alive at that time, but not living in Marlborough Road.

The move to Alresford

Albert Wade retired to Alresford in 1953: he chose Alresford “because his family had originated here” [the only record of any family connection is that his mother had been born in Farringdon, Hampshire – Ed]. Here, he made his home at Ivern, in Salisbury Road, where he lived for over 20 years: he died in 1976.

scan312 Alresford Church 1965 cardA good friendship was established with George Watson in Alresford, possibly via contact with Laurence Oxley’s shop, and George assisted Albert in printing the Christmas cards he made using a dry point technique, from the sketches reversed onto copper blocks. Later, George passed some of these blocks and prints to Roy Robins and his colleagues who were starting the Alresford Museum. Also included was a full sized painting, showing the dismantling of the water tower, on its site near the top of Jacklyn’s Lane in around 1953, which now hangs in Alresford Library.

Another possible route for the Alresford Museum collection of the Wade cards seems to have been via Mrs Mary Horner, of the Manor House, Humberston, Grimsby: possibly a relation of Albert Wade.  Mary Horner passed her set of cards to Peter Chapman, a reporter on the Grimsby Evening Telegraph. Peter Chapman felt the Alresford images would be better kept in Alresford, and passed them back to Christopher Everett in Holyborne, Alton, from where they came to the Alresford Historical and Literary Society, and then the Alresford Museum.

Biography by Peter Chapman

Peter Chapman included his assessment and biography of A E Wade, for our information. He wrote:

“When 1950 dawned, Mr AE Wade had been Principal of Grimsby School of Art for 23 years. When he retired three years later, to Alresford, from which his family originated, his tenure of office was, and has subsequently proved, a record. But he left an eradicable mark – not only on the thousands of students who had sat at his feet – but on the town to which he had come in 1923 after a spell at Birmingham School of Art.

Albert Wade was a man of many parts. He was first a devoted husband to Florence (née Hames). He was father to two daughters, Athena and Gabriel, to whom he passed many of his enthusiasms. He was a highly competent artist, in oils and watercolours, a master of the portrait, the landscape and specific studies. He was a sculptor and a highly skilled woodworker and carver. In addition to these many accomplishments he was a most useful cellist and an inveterate collector.

Self portrait in 1930

Self portrait in 1930

His knowledge of, for instance, Chinese porcelain was encyclopaedic, and he amassed a still extant collection of Egyptian items which remains in Grimsby. Mr Wade was both a man of his time and a connoisseur, and he passed on his wide range of knowledge to his pupils, many of whom owe the awakening of many interests to his passions.

At the Silver Street Art School he both instructed and entertained before making his way home to St Giles’ Avenue, Scartho. He inherited the mantle of the late Mr Jennison as mayoral portrait painter for immortality in the Town Hall, and became an associate member of the Royal Miniature Society. He also did endless ‘jobs’ for the corporation – among them designing the Borough boundary signs and numerous official brochures, and the town still has many of his paintings – several showing the aftermath of the war.”

The Christmas Cards

The Christmas cards we have, printed using the dry-point technique, date from 1958 through to 1962. Over this period the subjects change from Roman and classical images, through pictures of Alresford scenes, to sketches of the Grange at Northington. Possibly the best known of his pictures will be the town plan of Alresford, which is a relatively every-day sight for all Alresford shoppers, situated at the alleyway entrance to the Churchyard, between Barclays Bank and the Opticians, and shown here. The complete set of cards is shown in an Alresford Museum web album on FlickR (http://www.flickr.com/photos/83468450@N03/sets/72157649462020058, aka http://tinyurl.com/1972wade), but they are listed here:

scan317 Alresford plan 1969 card

AE Wade aged 61

1959: Town plan of Alresford

1960: Images of the history of Winchester

1961: Claudius Caesar AD43

1962: Between the weirs in Alresford

1963: St Swithun and his miracles

1964: [Missing!]

1965: St John’s Parish Church, Alresford

1966: Windsor Castle

1967: Bisham Church from Marlow tow path

1968: De Lucy Bridge, Alresford, C1200AD

1969: Fulling Mill, Alresford

1970: Alresford from the Southwest – titled as “The Alresford Society” (drawn 1962)

1971: Doric Portico, The Grange, Northington

1972: Ionic Portico, The Grange, Northington

1973: Ovington Mill

Dry-Point prints

In a letter to a friend dated 22 October 1959 – we can’t decipher the friend’s name – Wade explains “Drypoint” as engraved with a point (similar to an engraver’s burin) on the copper plate, and then printed – with no acid used, therefore it is a drypoint. But other descriptions of the technique highlight that it is the burr thrown up on the furrow of the line which is crucial to the final result, the angle of the dry point changing the characteristics of the burr. Lines in a drypoint print are characterised by a soft fuzziness caused by the ink delivered by the burr.

Other Wade prints in the collection

Also in the collection are two small drypoint prints, one quoted above titled as a 1930 self-portrait, and one of Alresford church tower and churchyard from the south. A few larger prints are also included, as follows:

  1. Five composers: Bach, Beethoven, Chopin, Liszt, Mozart. Feb 1970 (8” diagonal)
  2. Alresford Centre: a view of the Community Centre, Lloyds Bank and The Swan Hotel. Dated 21 May 1958. (13.5” diagonal). This is his major work in relation to Alresford, and its history. See below!

15463485643_e1d0f54d8a_k3. A larger print of the De Lucy Bridge, July 1968. (13.5” diagonal).

4. A larger print of the Fulling Mill picture, June 1958. (13.5” diagonal), as below.

scan308 Fulling Mill 1969 card

Not part of the Museum collection, but nevertheless available for public viewing in St John’s Church, is another Wade painting. This is the Royal Coat-of-Arms, positioned above the West door inside the Church, as shown below.

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Original copper plates

Some of the original plates used to print the images on the Christmas cards have been passed on, and are in the Museum. The 1960 Winchester history plate was still wrapped in a newspaper dated 1960. In better condition are the plates for the De Lucy Bridge, the Fulling Mill, Alresford Churchyard and “Between the weirs”: plates are also present showing a portrait of Dr Meryon, and part of the Buttercross in Winchester. A 1968 newspaper protects another picture plate of Alresford Church, as viewed from Broad Street.

The Albert Wade local pictures, drawings and the drypoint technique would qualify for support funding, as a local school history project, by the Arthur Stowell Fund. For further information please contact the New Alresford Town Trust on clerk@towntrust.org.uk

Postscript:

Most of the original Wade prints, made directly from the copper, were produced in the basement at Oxley’s shop by George Watson, who worked there before starting his own picture framing and furniture repair business with his wife Beryl. Recently, ie in 2015, Oxley’s have made available for sale some hand coloured A4 sized versions of Wade’s town plan, originally drawn in 1959: but these are certainly modern paintings, possibly painted on modern prints of the image. Nevertheless they are a tribute to Wade and the images he produced. The photograph below is an image of one of these 2015 prints: it is deliberately taken as is, in situ.

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