Archive for the ‘Alresford Museum’ Category

Etchmasters of Alresford

Who can tell us about working at Etchmasters of Alresford, in Prospect Road? If you have some memories of working there, let us know! Their pictures were mentioned in an earlier post, on Alresford exporters.

Many of the Etchmaster pictures are regrettably to be found regularly in the shop at the tip, not far from where they were created of course. The Alresford Museum does not want to buy these, particularly at tip prices, as one or two are enough!

Museum Donations

However, imagine my face when my aging sister-in-law proudly brought back two Etchmaster pictures from the USA, in her luggage, for me to keep, or put in the Museum! One is an imitation of the Haywain, by John Constable, where moisture has penetrated the varnish particularly in the clouds. It is actually very well drawn, and signed by J.R.Hurley. You never know this might be Liz’s Dad. There’s a number 92 on the back, but this could surely not be a date, as I thought they were produced in the 60s and 70s.

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The second one is a pub scene, which seems to represent a coach stopping at “The Marquis of Granby” public house and coach stop. This version of the Pubs of that name was part of a “Nalder & Collyers” chain – anyone know where this one was? The N&C brewery started in 1586 in the High Street in Croydon. There were pubs named like this, said to have been started by soldiers returning from the Seven Years War after serving under the Marquis (in 1762 approx) in Esher, Epsom, Sompting (Sussex), Weymouth, Wellingore (Lincs), Lincoln, Sleaford (Lincs), and Sunniside (Gateshead) to mention a few of those still active. The drawing seems to have been created by Sue Sturgess, and might even have a date shown – 1974. The coach in the picture is labelled Epsom – Box-Hill, so maybe this pub was indeed in Epsom?

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Stainless Steel Etching

Much more interesting was the last picture to emerge from her suitcases, and this was possibly a picture we bought as a present for her in the 1980s, after arriving in Alresford. The picture is of Broad Street, Alresford and labelled as such. There is no makers mark, but the artist signature is that of Bob Morris.

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With identifiable names shown of Hunters Wine Bar and Pennywise (re-cycled clothes), the picture is probably from the late 1980s. Does anyone know who produced these, and were they made in Alresford too? The picture, with no cars, is very much imaginative, since it was only on Christmas morning that there were likely to be no cars at all parked in Broad Street. Maybe that explains the apparently imaginative cobbled appearance of Broad Street and the parking areas. But it does show the scrawny trees of that time, without metal grilles.

Is Bob Morris known to anyone? The ones on Google do not look right!

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New display features town celebrities and businesses

The Alresford Museum display in the Broad Street library has been updated, to add two new items relating to Alresford businesses, two relating to major Alresford celebrities and two versions of an 18th Century Alresford Policeman’s truncheon!

The very ornate saddle, for a horse, was made by Alresford Saddlers of 16 West Street: it is an example of the local trade in skins and leather that developed around the tannery on Mill Hill. Alresford Saddlers was in 16 West Street, now Suzy Watson Designs, and was next door to Lex Leathers, who were still to be found at 18 West Street in the 1965. See the story about Lawrence Wright and his Alresford drawings.

Next is a rather plain box, which is a laundry box, used by the Weir Laundry to deliver cleaned and pressed washing back to the owners. Presumably this would have been a daily service. The Weir Laundry was believed to be housed in the Weir Mill building, later called the Arle Mill, situated alongside the lane linking Mill Hill to the Weir House, in 1900-1920. A photo can be seen of the staff at the Weir House laundry in 1904, on AlresfordHeritage.co.uk, and other photos on that site show the laundry buildings.

The display in the library cabinet also still features some dolls and soft toys from the Alresford Crafts collection featured in the Museum.

Alresford Celebrity – Lord  Rodney

DSCN3888A major Alresford Celebrity was George Brydges Rodney, who was born in 1718 and brought up by his Godfather George Brydges of Avington Park. As the Royal Naval Captain of the 60 gun “Eagle” at the Battle of Finisterre, he captured many Spanish ships, and won £8000 in prize money. With this he bought land next to Old Alresford Church, and built Old Alresford House.

Later as an Admiral, in the West Indies in 1780 he was very successful against the French, using the tactic of splitting the enemy’s line of ships – a tactic later copied and used by Nelson at Trafalgar.

He retired to Old Alresford House, and died there in 1791. But throughout the latter C18th he was the naval hero that everyone in Britain knew. There are still 7 pubs all across England named “The Lord Rodney”.

DSCN5602These Alresford Museum items date from that period, and are a mock Chinese bowl, inscribed “Rodney For Ever” – in tribute to Rodney – and a Beeswax portrait of him, which was the fashionable method of presenting portraits as 3D images at that time – and the technique is still used in Mme Tussauds!

C20th Celebrity – J Ridley Shield

The silver salver on display was made by Heming & Co, in London, and was presented to J. Ridley Shield in recognition of his many years of service (1906 – 1953) as Clerk of the Court at Alresford Petty Sessions.

 

J Ridley Shield, a Solicitor, was a prominent local figure, the first Chairman of the Town Trust in 1890, and first President of the Alresford Bowls Club. It is hoped to add a photo of Mr Shield to the display at some future date.

Two Truncheons

DSCN5603The Alresford Museum has two Batons, or Truncheons, items which were used by the Police Constables in the town in the 1800s. Both carry the Alresford town crest, which denotes that the Policeman was authorised by the town elders.

One is authentic, ie Victorian, the other is a modern reproduction, made in 1987 by AHW – his exact name is unknown. If you can let us know who it was, please do so! Weighing 300/400 grammes, they are fairly effective weapons…..

Maybe not as big as the town Bailiff and Burgesses Maces, also shown in the cabinet!

OLD Alresford Memories (Recorded 1977)

These contributions were made by visitors to the “Old Alresford Revived” Jubilee Exhibition held in 1977, at the Old Forge on Basingstoke Road, next to Forge Cottage/Prospect House. The original typed records, presumably typed by Pru Ransom, who organised the exhibition, are now held by the Alresford Museum, with other documents and photos that were on display back then. These are the reproduced records, as typed:

Mr Jackson remembers talk of a ‘Pub’ – The Fox – at the other end of the Green, but it was before his time, ie prior to 1905. Air Commodore Paul (at Wearne House) has found tiles which look as though they may have come from a stable yard in the south west corner of his garden.

Mr Ransom can remember the footpaths crossing the fields at the back of the village – the one to Northington being seldom empty of people – girls used to walk over to work in the Laundry (now (in 1977) belonging to Mr and Mrs Flood) every day, and the village women to shop. He has a pile of flints which came from the old lane that used to run behind the Council houses opposite the Home. Mr Bevan’s father was going to take them away to fill the ruts in the Coombe drive, but never did so! Eventually flints from this pile were taken by Mr Kemp for building at Beech Monastery (nr Alton). On this bend (the left hand side of the entrance to Coombe) people from the top end of the village used to dump their rubbish.

The ‘Nit’ House was demolished long ago – about the time of WW1 according to Miss Whitlock – who lived in Alresford for 12 years before coming here in 1912. She used to walk over from Preston, past the Nit House to fetch her sister’s clothes from Alresford where she was in service. Judging from the foundations, it was quite large. There also was a large rubbish dump at the Wield turning.

The Hoskissons came down from London in 1939. At that time their cottage was in a state of bad repair, with the roof falling in. The man who took the photographs belonging to Mrs Hoskisson was named Broad, and he owned some cottages in the village. He has conveniently dated his shots! Miss Whitlock thinks the man playing with the snowman is Harry West.

Mr Jackson can also remember the owner of the Retreat Cottages selling sweets from an “old tin shed” in his garden. Mr Whitlock used to hang his bacon in the Forge, in the small room at the front, before he jointed it, according to his sister.

Members of the Ransom family commented that their father used to keep a smallholding at the end of the village near Manor Farm. In the old days the Home used to hold their xxxxs (games?) in the field behind us, on Basingstoke Road, This was always a pasture until ploughed up in WW2 – Digging for Victory. It also had a cricket pitch on the brow of the hill. In WW1 there was a dug-out at the top of this field, where the footpath goes through to Northington. Here were stored explosives, the caps of which still lie scattered around (in 1977).

Mrs Fletcher remembers the Ransom’s small-holding, as she used to live near it. In those days (early 1900s) the Green was just a marsh – too wet to be safe enough to play on, and full of king cups and rushes. She can remember the hall being built by Mrs Christy, but the villagers were asked to buy bricks at 1 shilling each! Her mother bought 2 and a half bricks!

A chap named Snobby Merritt (no relation of our Mr Merritt (added Pru Randall, typing these notes in 1977) kept a shed on the allotments where he mended shoes (This shed features in one of the old photos, behind Christy Hall, situated where 1 Green Close is now). He actually lived behind where Mr Dory lives now. The field behind the allotments was called ‘Inhams’, and Mrs Fletcher can remember the gypsy encampment up the lane by her home. (Maybe this lane was Inhams Row, up past Prospect House? – Ed).

From about 90 years before 1977, up to 1920, a Swiss Jew named Mr Brollot collected clocks and watches from the village every three months, for repair, and returned them on his next visit. He used to come down by train and stop at “The Globe”, which Mrs Fletcher’s family kept. The “Cosy” was built in about 1915. She can remember two thatched cottages where Arthur and Shirley Wyeth’s house is now.

After the Twinnings family left in 1915, the shop was closed for about 18 months, then the Worthingtons re-opened it, with an off-licence for already bottled beer. After that the first lot of Joneses came and opened the shop as a general store. The sub Post Office was at Green End.

Billy Smith, now of Bishop’s Sutton, added the following:

The Jackson twins went to school with a Mr Benham, Mr Ransom’s brother-in-law (now of Bishop’s Sutton), and Billy Smith and his brothers – this would have been in around 1909. There used to be a bell in a cupola at the back of the school, which was also where Old Alresford Sunday School was held.

The lady who lived in the Laundry (next to the school) used to steam a pud and hang it over the wall for the schoolchildren (presumably only on washdays). The laundry was only for the use of the Upton House family. In those days Christy was at Upton, and used to give new sixpences to all the children every Empire Day.

Green End used to be both Post Office and Sweet Shop. Next door was a carpenter’s shop belonging to ‘Narrow’ Broad’s brother. A man called Sutcliffe took it over. The name of the owner of Green End was ‘Tin’ Rampton – his wife was the mistress in charge of the infants at the school. (Mrs H Rampton eventually retired from the school at Christmas 1923, after 25 years service – Ed)

At this time the Forge was where the Bus shelter is now. Charlie Rampton was the head man, with a chap called Ford, and a Jack Cousins under him. It soon moved to its present position.

The Home owned no fields in those days, and was shut off from the rest of the village. The boys (no girls were mentioned) used to appear only on Sundays, when they were marched to Chapel twice. They were taught at the Home. The field was a rubbish dump, known as “Dory’s Dell”.

Mrs May Smith was a maid at Prospect House for 11 months in 1939 for a Mrs Maynard, who died a few months after. Mrs Smith left to be married. Mr Smith was born at the Nythe in Bighton Lane, which sounds exactly like it is today.

Alf Bucham used to drive the baker’s cart in about 1912.

There was a ‘German’ who once owned Maxwell’s Old Alresford House named Schwert – remembered with affection by the school children as he used to give them a party after Christmas with nice useful presents of clothing – though the children did not appreciate them fully at the time! The other big houses joined together and gave a party before Christmas.

 

 

Lawrence Wright and his Drawings

Lawrence Wright (1906-1983) was an ‘architectural perspective artist’, who lived in Alresford in his latter years. He was elected as an Associate Member of RIBA in 1930, and they record him living at 27 West Street in the 1960s. Detailed drawings of the houses and shops of West Street and on the East side of Broad Street were drawn and signed by him, in 1965. A lot of the originals of these are held in the Alresford Museum, plus some coloured prints taken from these drawings are on display in the Community Centre, in the downstairs main hall.

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A coloured print of Broad St/East St, as on display in the Community Centre

Lawrence also wrote several text books describing the historical development of various architectural or domestic accessories. These included “Warm and Snug: The history of the bed” in 1962, “Home Fires Burning: The History of Domestic Heating and Cooking” in 1964, which included fireplaces. The description of Lawrence as Author of ‘Warm and Snug‘ was:

Born in Bristol in 1906, he is a well-known architectural painter. He has designed many exhibitions, and it was from one of these, a history of the bath, under the title ‘Clean and Decent’, that his first book evolved. Its reception encouraged him to write ‘Warm and Snug’.

His pièce de resistance was “Clean and Decent: The history of the bath and loo and of sundry habits, fashions & accessories of the toilet, principally in Great Britain, France & America”. My personal interest in such history was triggered when as a young man in an office on the Embankment in London, one of their facilities featured a classic blue and white china bowl, in a design more familiar on Victorian tureens and porcelain tableware, showing a country garden scene. His book was first published in 1960, but has been re-printed many times since then.

I have no knowledge of any buildings or houses where Lawrence was employed as the architect, but there are unsigned drawings in the Alresford Museum collection of his papers showing a design for the re-build of the house and shop at 5a Broad Street, on paper marked as from Nightingale, Page and Bennett, Chartered Surveyors, of Kingston-on-Thames. These are dated 1961: the shop next door at number 5 Broad Street at that time was quoted as Broad Street Fruiterers, and next door at #7, in Livingstone House, was A. Livingstone and Sons. The work obviously went ahead as it showed the shop layout as used until 2015 by the D.Gedye electrical business.

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Whether he was involved with Roy Robins in the design and construction of 38, 40a and 40 West Street is not certain, but it appears that he lived opposite at number 27, in a small house on the South side of West Street: RIBA say that this was his address in 1965. This is now a listed building and private residence, situated on the corner of what is named “Lawrence Wright Passage”. Certainly, from there he could have looked out across the street at these very elegant buildings and roofs, captured in his 1965 drawing below.

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The original Lawrence Wright drawing

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The coloured print in the Community Centre

What immediately becomes apparent to anyone keen on historical data, is that the Lawrence Wright 1965 pictures give a great snapshot and record of the businesses present in the town centre in 1965. Plus they also show that there were far more residential buildings, than shops or business premises: although some were presumably used as Doctor’s Surgeries and for other professional services. Some, such as #40 above (now Jaga Designs), have a business sign which cannot be read from Lawrence Wright’s front of building views. There are too many drawings in the collection to reproduce them all here, but in time they will be made available on the Alresford Museum website, museum.alresford.org.

West Street (North side)

The identifiable business premises are listed as:

  • 6 (Shown as a shop window with no markings).
  • 8 Eureka Fish Company
  • 10 Electrical supplier (there is an advert for Murphy radios in the window)
  • 12 The Bell Hotel
  • 14 Tobacconists plus Walls ice cream sales
  • 16 JS Stiles (later moving to become the Broad St. hardware and china shops)
  • 18 Lex Leathers
  • 20 Tobacconists (Note the ‘No Waiting’ sign, for vehicles, in the picture!)
  • 22 Reg Cutting , Antiques and Bric-a-Brac
  • 24 Ann Verity, Hair Stylist
  • 40a ‘Mollys’: apparently a Restaurant or Cafe
  • 42 Christian Bookshop
  • 56 Chemist (named as H.C.*****)
  • 58 Newsagent
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For 2016 we have Susie Watson Designs, Alresford Haircare, the Naked Grape and the ex-Wedding Dress shop!

West Street (South side)

  • 1  (Unidentified shop front)
  • 7  Lloyds Bank
  • 11 The Swan Hotel
  • 13 Cycle, Motorcycle and Pram services
  • 17 Post Office
  • 19-21 House’s Stores (Players cigarettes, Ariel washing powder)
  • 23 The White House Florist, Fruiterer & Greengrocer
  • 39 Southern Electricity Service
  • 43 Co-operative Food Hall (now two modern shop buildings)
  • 47 Hankins Ltd: Garage and Petrol Pumps (now the Co-op)
  • 49 Dedman’s Grocers, Tobacconist & Newsagent
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These shops look different in 2016 – Moda Rosa and Hetre!

Broad Street (East side)

  • (1 East Street) Lawrence Stationer & Tobacconist
  • 2  Horse & Groom pub
  • 4  Cubitt & West House and Land Agent
  • 6  Hobby Horse – Antiques & Bric-a-Brac
  • 12 Joseph Atkins
  • 14 Kelsall Food Markets (now Tesco)
  • 20 County Library
  • 28 Westminster Bank
  • 30 Chas Eddolls Ltd: Drapery, Clothing, Footwear & Carpets
  • 32 Tylers Wine Stores (now Pizza Express)
  • 36 Broadway Motors (John Allen) (now three modern private residences)
  • 38 (Unidentified shopfront)
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What did Joseph Atkins do? Apparently he lived at 13 Edward Terrace. Next door we have the Chinese Take-Away and the Toy Shop occupies the Cubitt & West premises!

The T-Junction and Town Hall

Other pictures of interest are an unfinished sketch of the Wessex Pharmacy, the view down East Street, and a pen and ink picture created from one of Wright’s drawings of the Barclays Bank building.

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Postscript – His earlier Career

Something I read once made me think that Lawrence Wright had strong links with the RIBA, which was reinforced by the comments made on the back cover of ‘Warm and Snug’, quoted in the above story. On the RIBA website, I found that the picture used to illustrate the design for the Lisboa Casino in Macao, dated 1966, is attributed to him as the artist, which confirms the book cover comment that he was a (very skilled) architectural painter. In the Author’s introduction to ‘Clean and Decent‘, he explains that the book arose after he was invited by Molly Montgomery, who ran the Building Exhibition at Olympia in the late 1950s, to organise a ‘Feature’ display stand at the show, on the theme of The History of the Bathroom. The book inevitably followed: but was a side-line, writing books was just an offshoot from his main works.

Nevertheless, one sentence from his intro to ‘Warm and Snug‘, which explains why his history does not cover the most recent 50 years, is of relevance to all modern historians: “There is no future in writing the history of the present before it is past”.

RIBA advise that he had a further book published in 1983: ‘Perspective in perspective’, published in London by Routledge & Kegan Paul.

(c) Nick Denbow 2016

 

Shop changes of Alresford over 30 years

There’s a lot of data available on the businesses active in the town over the past years. I did a survey of them in 1986, so thought a 2016 survey, 30 years on, would be interesting. Remarkably, there are very few of the original 1986 businesses still trading! At least under their old public facing names.

Broad Street – East side…….  1986 vs 2016

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West Street – North side…….  1986 vs 2016

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West Street – South side…….  1986 vs 2016

 

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Broad Street – West side…….  1986 vs 2016

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2016-broad-street-west-side

The Alresford Museum holds further survey data for earlier years, such as 1947, and 1965 – the latter via the drawings made by Lawrence Wright, which will feature in a future article. Meanwhile the Lawrence Wright drawings are on display in the Community Centre. Notably the Sun Hill Schools conducted regular surveys recording the names of businesses in the town, dating back to at least 1971 (See the story on AlresfordMemories titled ‘Local history, as recorded by Sun Hill School’, and published on 28 January 2016). School history projects relating to the town are eligible for financial support from the Arthur Stowell Fund, associated with the Alresford Museum, and administered by the New Alresford Town Trust.

(c) Nick Denbow 2016

 

 

 

Alresford Crafts Doll’s head markings

DSC01991 alr crafts dollsAs with most manufacturers, Alresford Crafts wanted to be able to identify the manufacturing date and methods used on each doll sent out of the factory, in case they were ever returned with a fault or other problem. So following the traditional route, some code numbers and letters were placed on the back of the neck of the doll’s head, which was normally not visible, under the hair.

In their 1980 catalogue – they started making dolls in 1978 – these markings were explained, and as far as we know this system was not changed, but was modified a little. The doll’s heads were made in Alresford, in the moulding department of Alresford Crafts, which until 1982 was in a building near the Town Mill, which is on one of the streams emerging from Alresford Pond. During 1982 most of the production, and the ceramics department, was moved to the Station Mill site, near the Alresford Station, famous as the end of the Watercress steam railway line. The heads are made from porcelain, which is often referred to as “china”, as the material was first seen in Europe in cups and saucers, and bowls, exported from China.

acrafts 3Making the heads, arms and feet

The ceramic clay paste was formed into shape inside a mould, to create a relatively soft “green” moulding of either the head, hands or feet of the doll. These were then fettled (to remove the extra material from the feeder tubes that delivered the paste), and for the head, the eye sockets were cut through, and careful finishing produced smooth unblemished porcelain pieces, for the first firing, which took around 12 hours. This produced a “bisque” – a harder moulding – which was then decorated before firing again. Finely ground on-glaze enamels were then applied by hand, to achieve the final colour -after a further six hours in the kiln.

 

acrafts 7The typical marks on the back of the dolls head are seen in the diagram. All but one of these marks are moulded-in, at the first stage. At the base of the triangle “ENGLAND” is the country of manufacture: under ‘England’, the word “ALRESFORD” was usually added, outside the triangle, to identify the manufacturer. The “C A3” marks show the mould number, and the “80” refers to the year of manufacture, ie 1980 here. The initials (“AD” in this example) impressed in the head, are those of the girl who cast the head. The other initials (“DW” in this example) are painted on, and show the initials of the girl who then decorated the head.

 

scan185Staff in the moulding department

The only names we know are those of Denise White (DW), who was a decorator, and Colin Larkin (CL), who was the mould shop manager, seen in the picture on the left. The names of other ceramic workers would be of great interest, and will be added here, if anyone writes in.

The original moulds were formed from sculpted head models, which were created by skilled sculptors. One of these was Frank Garbutt, who lived in Stoke on Trent in the Potteries, and attended Glasgow School of Art in around 1934.

 

 

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Soft toy collection returns to Alresford

IMG_9698xsIn our first story about the soft toys made at Alresford Crafts (1), Verena Harper was mentioned as one of the first employees at the Town Mill, back in 1976. Verena (née Pegg) worked as a checker and finisher on the production line for these popular children’s toy animals. Over the subsequent 40 years, and particularly since retiring to Dorset, Verena has become an avid collector, attending numerous car boot and general jumble sales. Always the previously loved Alresford Crafts soft toys catch her attention, so slowly Verena built up an enormous and varied collection of these animals, helped by friends and relatives who added more of them as birthday gifts!

Now Verena has decided that it is time her little friends were returned to their home town, and so a grand total of over 120 soft toys have come back to be looked after by the Alresford Museum, to be displayed as often as possible – for today’s children, and older ex-children (who are now avid Alresford Crafts toy and doll collectors), to see and appreciate.

Unique soft toys

IMG_9675xsWe think some of these animals are unique, but maybe you can tell us something different? The collection includes some unusual models, not seen in any of the Alresford Crafts catalogues of the time. One from the Southern hemisphere is a striking looking Penguin: these days no doubt some children will be able to identify what sort of Penguin this represents, and if it is accurate! In addition there is a life-like dark brown hen.

IMG_9671More unusual is a glove puppet in a bright pink fur, distinctly looking like an Alresford Pig – maybe it even belonged to one of the children of the original Alresford Pigs, also founded over 40 years ago? The Pig has been introduced to another pink friend, this time an Alresford Crafts pink bunny rabbit, in dungarees, which was returned to us separately from America a few weeks ago. The two are now the best of friends, although one has a distinct American accent.

The Owls!

IMG_9694xsObviously Verena liked the Owls made by Alresford Crafts, because there are more than 15 of them in her collection! We can honestly say that the Alresford Museum now houses more Owls than are likely to ever have lived in the Alresford district! We start with one enormous silver Owl, fashioned in the style of our models of Ollie the owl, who is one of the stars of various “Dr Who” episodes, and also the film “E.T.” Then there is a family of Snowy Owls, a Daddy and two babies: a pair of large Brown Owls with their three babies, one with a black eye-patch like Paddington Bear. Most striking are the family of five young Tawny Owls, looked after by the big Mother Tawny Owl.

Every design of soft toy?

Many other animals are represented in the collection, from a kangaroo, to an ant-eater; a dinosaur as well as white and even blue lambs, plus an otter  – we didn’t ask Verena to check his tail, apparently these toys used to be difficult to sew together without twisting the tail away from horizontal. Many of the smaller toys were made from left-over scraps of cloth, which were turned into simpler stuffed toys, like rats, mice, guinea pigs or Lemmings: Alresford Crafts often donated these to the Alresford Christmas Tree Committee, to be given away on the night that Father Christmas arrived – a famous event in the Alresford calendar – when everyone under a certain age has a present.

The whole collection, delivered from Verena in Dorset crammed into a small car, can be seen – or at least most of them – in the picture below.

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John and Verena Harper

Verena is now writing more about her early life around Alresford and Bishop’s Sutton, and her time at Alresford Crafts, where she had many friends – like Sue Palmer and Christine Terry. Her comments about the labels on the toys are interesting: apparently the original labels, used at first, were black, but then the gold coloured label with red and black writing was adopted. Where these have a V cut out, these items would have been seconds, not felt good enough for sale, and would have been used as donations to charities, for example to the Christmas Tree Committee in Alresford, for use as presents under the tree.

Museum Displays

The Alresford Museum has a rotating display of artefacts in the Library in Broad Street, and more in the Framing Shop in the Old Fire Station. Several Alresford Crafts dolls and toys are permanently on display in the children’s section of the Library, upstairs. Further displays will be on show in the Alresford Library, and at various other Museum events throughout the coming year.

 

(1) See the original story: https://alresfordmemories.wordpress.com/2014/11/15/alresford-crafts-dolls-and-soft-toys-for-collectors-and-children/

Lists of the Museum collections can be found on www.museum.alresford.org.